Radio Inspire

How To Learn Sign Language

How to Draw Gesture – Step by Step


Last week I explained gesture and this week
I’ll show you examples of how to apply it. If you haven’t watch the gesture video yet,
pause this and go watch it… Let’s take a look at some examples and find
their gestures. 30 Second poses Usually I’ll start with the head, but not
always. If I’m in the mood to identify the torso first, I’ll do that. There are no rules
about this. Then find the gesture of the neck, and the action line to the foot. Looking at
the torso, the first thing I notice is that the left side is pinching and the right side
is stretching. So, the shoulders will be slanted one way, and the hips the other way. This
brings the points closer together on the left side, compressing the forms, and brings the
points further away from each other on the right side, stretching the forms. Find some
rhythm lines for the legs… And the arms. That right there is the most simplified version
of this pose. It’s only a few lines but in 30 seconds it’s enough to explain what the
pose is doing. You might feel like 30 seconds is just too
quick. In that case there are two possibilities. Either you’re brand new at this and you really
DO need a little extra time. You can try 45 seconds to a minute. Or you’re really over
thinking it. Looking at the contours too much will cause you to draw things that are not
necessary to capture the motion and you end up running out of time. Remember to draw what
you feel, not what you see. 2 minute poses Taking 10-15 seconds to just look and analyze
the pose is not a waste of time. It allows you to create a game plan and use the 2 minutes
you have wisely. Ok, so again I’ll start with a clean oval
for the head and then attach the rhythm of the neck following the sternocleidomastoid
muscle. Angle of the shoulders and rhythm of the torso using the centerline to determine
that curve. From a front view ill start from the shoulder a drop a rhythm through the side
of the ribcage to the pubic bone. Get the pinching on the right side and stretch on
the left. Two c curves for the gesture of the leg from the front. Indicate the other
side of the leg with somewhat parallel rhythm, considering the thickness of each part of
the leg. Now I’ll find the arm rhythms, remembering to look for the motion not the contour. And
an upside down heart shape for the breasts. For a head in profile, I’ll start with a circle
for the cranium, angle for the front of the face and jaw. Kind of like a simplified version
of Loomis’s method I went over in my portrait fundamentals series. Get the rhythm of the neck and the shoulders.
In the torso, I’m seeing a stretch on the left side of the back and a pinch on the right
side. Consider tapering/thickness of forms
As you get comfortable ignoring detail and seeing the big picture, you can move on to
a slightly more structural approach. Now you are giving some love and thought to the forms.
Still not drawing any 3d forms but considering them in the design of the gesture. I’m staying
true to the thickness of the form and any kind of tapering from thick to thin, such
as from the hip to the knee. Whereas before, in the 30 second drawings, I wasn’t concerned
about that at all. I was just drawing the motion. If you tend to make your poses stiff, think
of the torso and limbs as a snake. Forget about any bones, hard forms, rigid forms.
Think of it as a fluid cylinder and try to see the motion. Find the c curves and s curves. Draw smart not fast
When you do these gesture drawings of 2-10 minutes, the point of the exercise is not
to draw as fast as you can to draw as much as possible. If you draw as fast as you can
you will have messy, bad lines and the more you do the exercise the more that will become
a habit and eventually you’re drawing ugly lines whether its timed or not. Instead of
drawing fast, draw smart. Simplify the figure down to whatever degree needed to draw it
in the time you have. As the time decreases, just filter out the next least important thing
to finish the drawing in the allotted time. With a 30 second or 1 minute pose you only
have enough time to draw the most essential elements. But keep your lines clean and accurate. Look for a rhythm from the arm all the way
to the end of the fingers. Unless separating the hand to its own rhythm is essential for
the body language, try to find a continuous flow. Starting with the head neck shoulders.. And
then observing the c curve of the torso. The tendency for many people would be to draw
the torso straight because it almost is. The c curve is very subtle, but important to make
her look relaxed. Making it too straight would make her feel tense and stiff. Curve over the breast around the pit of neck.
Another from nipple to nipple and also under the breast curving up to show that they’re
wrapping over the rib cage. This is more important than showing the downward curves of each individual
breast. These curves would go against the large form of the rib cage. They’re important
to show the forms of the individual breasts, but at this phase, focus on the bigger picture
of identifying the pose. Anatomical detailed forms come later. When it’s not too important to show the breasts
wrapping over the rib cage, like, when the ribcage is vertical, I like using an upside-down
heart rhythm. Again, Curve over the breast around the pit of neck and then under each
breast. Make sure the heart is symmetrical and this V shape between the breasts lands
on the centerline and follows the gesture. I’ll use a zig zag in the arm, giving the
elbow a sharp corner. This will add more tension there, which is good because a lot of the
weight of her body is being supported by that elbow. The other arm is relaxed, so I’ll use
a fluid s curve. Curve the shin out at the tibia and then back
in at the foot. It’s very common to see a beginner draw this area straight and lose
the elegant gesture of the shin to the foot. Make sure to think about this motion as you
draw the contour. Or a better way of saying it, think of the motion as you �design�
the contours. Because when you’re designing something, you’re changing it with a purpose. Exaggerate
Get used to being able to exaggerate the gesture. Push the story to be more exciting and clearer
to the viewer. I’ll show you a pose where I’ll push the gesture REALLY far. As far as
I can without breaking it. With this pose I’m gonna try to exaggerate
the motion of the pelvis going back and to the right. So, I’ll rotate the head to the
right to follow this motion. Consider the forms as you identify the gesture.
When exaggerating you need to exaggerate thinking 3-dimensionally, not just 2d curves. Even
though you’re drawing 2d curves, you kinda have to curve them in a way that still makes
sense 3-dimensionally. Gesture is like the eyes of a portrait drawing.
Eyes give the portrait its life and gesture gives the figure its life. Assignment and have fun!
If I were to give you an assignment for this, if this were a real classroom environment,
I’d say get a bunch of figure photos and draw 10 to 20 of them every day. I promise you
will improve. And rewatch this episode and last week’s episode a few times. Remind yourself
what you’re trying to do. And listen for those things that I repeat several times. Don’t
copy, don’t draw the contour, find the story etc.. Also, try drawing along. The premium
section has a lot of videos of example gesture drawings in real time. So you can draw along,
pause if you need to. But most of all have fun with it. Don’t stress over it or get mad
if they don’t turn out good right away. Enjoy the process, and realize that you’re drawing!
It’s a treat to just sit down and draw for a while. If you’re having fun and enjoying
yourself, you’ll learn better. What’s in the premium section?
If you want to see more detailed explanation, plenty of examples and more premium videos
check out proko.com/figure. For every free video that I post during this figure series,
I’m posting additional premium content on proko.com. In this free video I showed 7 examples
poses. In the premium section I show 41 examples, with more tips on specific areas of figure
gesture. That’s over an hour of video with about 30 minutes of narration. And we’re just
at the beginning of the figure drawing series. Visit proko.com/figure for more details. In the premium section, I’ll be posting student
work and videos of me correcting those student drawings. That’s where you come in.. So, practice some gesture drawings using the
concepts from this lesson and last week’s. Post your drawings on your Facebook page,
tumblr, blog, forum, wherever you like to post your artwork. In your post make sure
to mention this video and include a link to it. Email me and tell me where I can find
your drawings. Make sure to follow the guidelines that I describe on proko.com/critiques. Everyone
that participates will be able to download that critique video. So go! Go practice! And
then post… Oh ya and then if you need poses to draw from,
I have some photo sets that you can download at proko.com/poses If you like this video, share the wealth,
tell your friends. Post it on your favorite social network. Click this button here to
subscribe to the Proko newsletter if you want to be updated about new videos. Buh Bye!

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